Why should creatives care about strategy?
by Jerry D’Ascoli, creative consultant, art director, search and rescue. See his work at jerrydascoli.com Strategy We’ve grown to hate the word, creativity’s kiss of
“I don‘t know what I think until I read what I have written.”
Flannery O’Connor
by Jerry D’Ascoli, creative consultant, art director, search and rescue. See his work at jerrydascoli.com Strategy We’ve grown to hate the word, creativity’s kiss of
by Jean-Francois Fournon, Creative Director, Shem’s Publicite, Casablanca, Morocco I like American people. They don’t intellectualize things. They keep it simple. And advertising has to
A quick refresher: If the Unique Selling Proposition (USP), or a single-minded proposition, is neither unique nor single-minded, you’re enduring a poorly written creative brief.
Last time I talked about how you can spot a lame effort on the part of a brief writer by checking out the Proposition. If
(As if there were only three!) This subject came up in a Skype conversation I had recently with a new friend and colleague, Jean-Francois Fournon,
In the ideal world, no creative brief would be written without one very important piece of information. The strategy. In fact, most creative-brief templates include
I know what you’re thinking: You forgot the preposition “for” at the end of your headline. Am I right? Yup, that’s what I thought. But
In an earlier post, I asked and answered the question, “How do you know when you’ve written an inspired creative brief?” I have another thought